SARATOGA SPRINGS - Four months into her new job, SPAC President Elizabeth Sobol says she is learning the Saratoga Performing Arts Center has a uniqueness all its own.

One factor is the location of the venue - nestled among 2,200 acres in the state park sitting on the cusp of a culturally vibrant city, she says. Another is the relationship forged with other performing arts organizations during the venue’s 50-year existence which continue to deliver everything from the whirring pirouette of the ballet dancer, to the delicate air strike of the conductor’s baton and the amplified clamor of an electric guitar.

“Having traveled all over the world, all over the United States, all over North America and having seen festivals of all kinds, I’m here to tell you there is nothing like this anywhere in the world,” says Sobol, a classically trained pianist. She relocated to Saratoga Springs from Miami Beach last fall and will mark her first season at SPAC this year.

“Thinking about the programming, I listened to community voices about what they wanted to see this summer.”

The spectrum of responses offered an array of varied opinions. “Part of my job has been listening to those voices and creating something cohesive that would speak to different aesthetic desires and visions,” Sobol says.

This year, the New York City Ballet will stage 18 ballets by six different choreographers during their residency, from July 5 to 15. The Philadelphia Orchestra season, from Aug. 2 to Aug. 19, will feature a balance between the new and the traditional and include one piece not performed at SPAC since the 1960s. And the Chamber Music Society of Lincoln Center will return to the Spa Little Theater with six concerts, from Aug. 6 to Aug. 22. The schedule of performers and performance pieces will be publicly released Sunday.

“One thing I wanted to do was also create mini-festivals within a festival. It immerses you in a sound, a narrative and a concept. In dialogue with the Philadelphia Orchestra, we created a mini-Russian festival, a mini-American festival and a mini-French festival. So, if you look across all our programming – the New York City Ballet, the Chamber Music Society and the Philadelphia Orchestra - you’ll see some of the same themes arising.”

Sobol also noted a new series titled “SPAC on Stage” to target young, musical genre-crossing fans and featuring several hundred audience members seated onstage. “What we’re envisioning is an experience that is intimate and extremely visceral and will feature artists unique and different than anything else that has appeared on the SPAC stage."

With pop concert promoter Live Nation, Sobol says there is an ongoing dialogue to maintain the delicate balancing act of scheduling dates at the venue between the pop and classical worlds. A variety of pop concerts have already been announced: Dave Matthews (two solo shows in June, sans band), Train, Nickelback, Dead & Company, and classic rock bills such as Foreigner/Cheap Trick, Rod Stewart/Cyndi Lauper, and Chicago/Doobie Brothers, among them. Freihofer’s Saratoga Jazz Festival will be staged June 24-25 and will feature headliners Chaka Khan and the Gipsy Kings, returning artists Jean-Luc Ponty, and Dee Dee Bridgewater, a musical tribute to Ray Charles and more than one dozen other artists.

Responding to recent reports that President Donald Trump may severely cut or altogether eliminate cultural programs that receive federal funding such as the National Endowment for the Arts, Sobol says while concerned about potential cuts to NEA funding for the national well-being, it’s not something that will greatly affect SPAC. “We are being much more strategic about arts funding, but it’s not something that, if it goes away, it’s going to put us in a compromising position.”

 

*Note, an initial version of this story misstated the number of acres in the Saratoga Spa State Park. The correct number of acres is 2,200.  

 

Published in News
Friday, 21 October 2016 14:17

New SPAC President Presents Future Vision

SARATOGA SPRINGS — Elizabeth Sobol leaned against a marble column outside the Hall of Springs. She glanced up at the architecture - detailed more than three-quarters of a century ago by Russian iron-workers, Italian plasterers and Austrian stone cutters - and searched for the words to best express the thoughts inside her head.

“It’s only been a month since my husband and I moved from Miami Beach to Saratoga. And it’s only been eight days since I walked into my office, but the overwhelming sense of magic, the cultural vibrancy I first felt in the city has only deepened,” said the newly minted president and CEO of the Saratoga Performing Arts Center. “I want to make sure more people experience the epiphany that I’ve had coming here.”

Moments later, the self-described “newcomer with fresh eyes” was formally introduced by SPAC Board chairman Ron Riggi to about two dozen board members and department heads gathered inside the hall’s Gold Room for their annual fall meeting. Sobol told them that she didn’t foresee radical changes taking place in the near future, but wanted to enhance what already exists by both deepening SPAC’s roots in the local community and extending the venue’s presence and visibility beyond the borders of the Capital Region.

“I feel fortunate coming in at this auspicious moment,” Sobol said in succeeding Marcia White, who earlier this year announced she would be retiring after 11 years at SPAC. “It has been a privilege to begin my new role at SPAC fresh off the heels of the 50th anniversary celebration.”

“2016 was very successful with the 50th anniversary and some beautiful weather,” treasurer Tony Ianniello added. No less than 35 special events were staged in conjunction with the venue’s golden anniversary, and audience attendance during the classical season of performances increased 3.4 percent, compared to the previous year. SPAC received more than $5.22 million in capital campaign gifts in honor of the anniversary. The funds will be used to support programming, capital improvements, and SPAC’s endowment fund, according to the organization. “Now we want to dig down and drill deep on how we can improve the numbers – raise more money and decrease expenses,” Ianniello said.

The Board announced membership rates in 2017 will remain at 2016 levels, and next year’s classical season ticket pricing will include a $30 amphitheater ticket, a $10 reduction in select seating from previous seasons. “As we move into the future, we hope to engage new and younger audiences in order to fulfill our mission of sharing world-class performances with the Capital Region community,” Sobol said.

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